Why People Fall in Love with Fictional Characters: Here Are 5 Reasons

01.06.2024 16:14

People can fall in love with fictional characters for a variety of psychological reasons, which, moreover, are often intertwined and interact with each other.

In this article you will find 5 of them – the most common and frequently encountered.

Idealization

Fictional characters are often idealized images that possess qualities that we consider desirable but are rare in real people. These include heroism, sincerity, romance, and loyalty. All of these allow us to escape from everyday realities and find an ideal in a fictional world.

Emotional connection

Through sympathy, empathy, attraction or admiration, we become attached to a fictional character, which creates a sense of deep emotional connection with the character. The person begins to feel that the character understands his inner world.

Individual needs

Those who are currently unattached in real life can compensate for this need by falling in love with a fictional character if they really want to have a relationship. With this character, it is easy to imagine the perfect romance to satisfy their desires.

Hands
Photo: © Belnovosti

Experiments with identity

In real life, people don't always have the opportunity to manifest themselves the way they want or experiment with their personality and identity. But in the world of fiction, a person can be anyone and act as they please - you must admit, such prospects look very tempting.

Trying to escape from reality

Often our lives are filled with stress, uncertainty, conflicts and other troubles. In such a situation, a fictional character can be called a kind of refuge from reality. In the world of fantasy, people find comfort, satisfaction and understanding that they sometimes lack in everyday life.

Earlier, BelNovosti wrote about whether a woman can influence a man .

Elena Shimanovskaya Author: Elena Shimanovskaya Editor of Internet resources


Content
  1. Idealization
  2. Emotional connection
  3. Individual needs
  4. Experiments with identity
  5. Trying to escape from reality